This series of pictures shows that if you have any choice, err on the side of underexposure because everyone of the photos was underexposed by 1 to 3 stops as dusk became nearly full night. One can tell the more underexposed images by the amount of noise and/or blue shift in the final images. What I find paradoxical is that over exposures leave the same amount of color information – but overexposures greater of two stops or greater cannot be rescued in a similar fashion.
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